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Joachim Beuckelaer 1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
Joachim Beuckelaer Market Scene second half of 16th century
Medium oil on wood
cyf
Painting ID:: 88991
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Joachim Beuckelaer Christ on the Cross 1567(1567)
Medium Oil on wood
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Painting ID:: 89343
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Joachim Beuckelaer Beuckelaer 1563(1563)
Medium oil on oak
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Painting ID:: 89652
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Joachim Beuckelaer Slaughtered Pig 1563(1563)
Medium oil on oak
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Painting ID:: 89955
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Joachim Beuckelaer Market Woman with Fruit 1564(1564)
Medium oil on oak
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Painting ID:: 90245
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Joachim Beuckelaer Die Eierhandlerin 1565(1565)
Medium oil on panel
Dimensions 126 x 81 cm
cjr
Painting ID:: 90739
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Joachim Beuckelaer Kitchen Scene with Meeting on the road to Emmaus c. 1560(1560) - c. 1565(1565)
Medium oil on panel
Dimensions 109.5 x 169 cm (43.1 x 66.5 in)
cjr
Painting ID:: 91030
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Joachim Beuckelaer Die Kochin mit Geflugel oil on panel, 109 x 76 cm
Date 16th century
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Painting ID:: 91318
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Joachim Beuckelaer Vegetable Seller second half of 16th century
Medium oil on panel
Dimensions Height: 111.2 cm (43.8 in). Width: 81.6 cm (32.1 in).
cyf
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
